Originally Posted by
JonInWA
Boom! MattyD380 has identified a critical aspect of the High Power's attraction-it's overall sense and feel of rightness, of how a pistol essentially conceived in the 1920s and 1930s has captured both operational efficiencies and a beautiful period style and remained effective and relevant (albeit not without some quirks and vicissitudes that need to be taken into account).
In handling, shooting and carrying a High Power, one has the ability to use and appreciate a piece of design and manufacturing practical art from the hands of John M. Browning, Dieudonne Saive, and Joseph Rousseau. This is manifest to me in several very concrete, and several intangible ways-the tangible being the reliability and ergonomics of the pistol, and in the overall excellence in manufacturing, exemplifying the use of quality materials and execution. The intangibles to me are in the grace of the design; the High Power has a bit of an Art Deco feel and appearance to me, particularly in the execution of the slide bullet nose where it fits into the dust cover, in the ball cuts, in the step in the slide, how the receiver gracefully incorporates the triggerguard with symmetrical flowing compound curves, and the domed curvature at the back of the slide; in the .40 variant, such is exemplified in the beveling on the left of the slide to incorporate the slide stop flange. and the flattening of the top of that flange.
Are there quirks and vicissitudes inherent to a High Power to be accounted for, decided upon, and mastered or modified? Absolutely; the square, unbeveled magazine well makes speed reloading difficult, there are sharp edges to the rear corners of the magazine floorplates which make magazine storage and pouch selection more of a concern than on most other magazines today, the hammer spur has relatively sharp edges, and, as we've discussed, can bite, and the reset is long (i.e., the trigger must be fully forward), and on some, the safety levers can have a bit of a mushy feel. The High Power is noted for having a potentially coarse and heavy triggerpull, although all of mine have had good-to-excellent pulls out of the box, which I think is a general characteristic of the post-1993 High Powers, much more so than their predecessors. I'm also of the opinion that the slide release pad could be a bit more ergonomic; ditto for the safety levers. And we've already discussed the exceptional weight and issues with the .40's 20 lb recoil spring. But none of these foibles are show-stoppers for me, either individually or collectively.
As I've said before, I'm not one who wails that the end of the universe as we know it came with the advent of polymer-framed guns. Nor do I particularly ascribe them as being "soulless" (or, conversely, for metal-and-walnut guns being "soulfull."). I'm an appreciative user of HKs and Glocks in particular. But in the High Power, there's just a certain "je ne se quoi," a French phrase that elegantly captures that difficult to define quality of inherent beauty and function that sometimes just is, and that some things just have...And that's before we factor in the historical cachet inherent to the High Power that its acquired from various users, both individual and organizational (and national).
And that is something that we can appreciate and enjoy. Yes, a pistol is a tool, with specific operating expectations and parameters. But that's not to say that they can't be concurrently enjoyed concurrently with their essential operational characteristics.
Best, Jon